In an alternative universe, the Weirdos' lp from 1977-1978 (that they never got the chance to make) would make the all time top ten list. More importantly, how could two of the world's greatest bands of 1977 - the Weirdos and the Screamers - not record a single lp ("Condor" excluded)? Maybe the Weirdos were too picky for an lp deal or maybe Sire could have invested something in LA. Was Lou Adler sitting on the great LA punk live lp from the rejects of the "Up In Smoke" sessions? Was Crime courted by the major labels up in SF? After the success of the Runaways, why not Backstage Pass, perhaps the most criminally underdocumented of all the early LA punk bands?? As a teenager, I was able to find domestic cutouts of "Radios Appear" and "(I'm) Stranded." Why couldn't a teenager in Brisbane, Melbourne or Sydney find a cutout of the Screamers lp, one of the greatest major label underground lps of the 1970's outside of the Hampton Grease Band. It simply was not meant to be. Continuing a Screamers theme, some scans from the archive from my favourite US/FR zine, IWBYD:
Monday, September 9, 2013
L.A. Scene Report: November 1977/"Three Bands Stand Out. The Weirdos, Backstage Pass and the Screamers"/Nickey Beat Has "Movie Star Potential"
Labels: Backstage Pass, the Screamers, the Weirdos, Tomata Du Plenty
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Hello this is Genny from Backstage Pass. Can you tell me which fanzine this is from?ReplyDelete
Hi Genny - thanks for reading. It is from the I Wanna Be Your Dog US/France zine. Do you have any BP recordings - would love to hear them. JonReplyDelete