Man, one of the best singles of the sixties goes unreleased and just keeps sounding better. A song that links the No Neck Blues Band (via Jerry Yester) to Fred Neil (via Cyrus Faryar) to Phil Spector, Harry Nilsson, Brian Wilson, the Sidewinders (Andy Paley) and the Monkees. Not to mention Henry Diltz and Rodney Bingenheimer. Just waiting for the choicest set of covers lps you never heard via Home Brewed Nuggets to tackle this gem of our radio teendom.
The Modern Folk Quartet had opened shows for both Woody Allen and John Coltrane before their link with Phil Spector and rebrand as the folk rock MFQ. Spector hoped they could be his Byrds. Underused in my opinion as the theme to the follow-up to The T.A.M.I. Show, The Big TNT Show, Nilsson wrote the song as a Brian Wilson tribute who then brought the song to Spector who shelved it for "River Deep, Mountain High." According to Mark Ribowsky’s He’s A Rebel (E.P. Dutton, New York, 1989), one night in 1966, Spector jumped on stage with the MFQ at the Trip with a twelve string guitar while they were doing their set and did a set of fifties covers backed by the MFQ. According to Kim Fowley who was there: “Amazing, man, and the pity was that there was a lot of kids in there who didn’t know what the fuck was happening . . . I think about it now and it’s like, how’s that for a memory? And he was good too. I’d never heard his voice. He had good mike technique, good delivery. He sounded like he would’ve been a good lead singer.”
Tuesday, June 9, 2015
This Could Be the Night/"He had good mike technique, good delivery"
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